#thought that was important to clarify

[mushyroommm]

i have — somehow, through the power of lesbianism — morphed into winnie the pooh, and my winnie the pooh–shaped soul has ascended, if you even care.

[crabussy]

for the record I think wind turbines are beautiful and are not a stain on any landscape and the sounds they make are beautiful and whenever I see one I am filled with love for human innovation and hope for the future of clean energy and if they needed to be built close to my house I would go YAYY ^_^ WAHOO ^_^ WIND TURBINE!!

[nomoretumbler]

this happens 3 times a week btw (he never looks into it later).

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[wubbybubbly]

behold. this is miles edgeworth’s type.

[awesomewithoutme]

I don't wanna generalize an entire website because there's some really nice people on here, but sometimes it's reeeeally scary and obvious how much most of tumblr hates women. (It's definitely not just tumblr, but that's the only website I use.) People constantly make gross violent threats towards Taylor Swift because apparently she's the devil herself, and Swifties are just brainless npcs who couldn't possibly be Real People, right? People on tiktok or wherever the hell were mad at Chappell Roan because *checks notes* she doesn't want to be stalked or harassed. Selena Gomez and Justin Bieber haven't been together in like, 12 years or whatever, but people are STILL pitting Selena against Hailey Bieber. Not to mention the bodyshaming and endless fakes nudes made without consent that get posted and reposted all over. Maisie Peters was on the Eras Tour, but people started bullying her about her voice. It was all fine and well to like Sabrina Carpenter, but only up until she got popular. Because popular = bad, right? Apparently choosing to wear more makeup than other people is a punishable crime on tumblr.com. People are trying to find "acceptable" ways to be awful because they can't get away with calling women sluts or whores anymore, but I literally see right through it, and it's not cute.

[ratguy-nico]

people I dont know how I did this. the gods guide my hand. Im so proud of the lineart, of course I have problems with some parts, like the background, and the center, and proportions, but it look so good despite this

(I'll probably still hate this tomorrow though T^T)

*In case you dont understand because the placement is awful the text says - YOU ARE FORBIDDEN FROM DYING ON ME - (I apologize to any english speaker or graphic designer for this abomanation)

this was inspire again from a publication of @br1ghtestlight (i feel like a creep for doing this again i'm so sorry, but they have such amazing ideas!) it was a post about Louise being terrified seeing movies like terabithia or my girl cause she imagine Rudy dying on her and that ignite this idea on my brain. I actually make it surprisingly fast for me. I wasn't even expecting on coloring no less everything else, but I just couldn't help it. I was totally invested in the vision.

[mikayesha]

hii just wanna say ur feenie and maya drawings are top tier amazing i love them they are so the siblings ever

Thank you so muchTvT! I'm happy that a lot of people are enjoying my recent narumayo doodles. Also very true,, Phoenix having nonexistent parents and Maya having complicated family issues make it that they are just there for each other's company, paving their way to life and facing whatever obstacles they have on the way.

[hiroshotreplica]

im sorry you probably dont want this in your askbox but i dont really think it makes sense to talk about madness and leafi the same way for a lot of reasons. Idk maybe im just seeing a transgirl getting relentlessly dogpiled because of old screenshots and having an over-empathetic response but fuck man she was 13 when those screenshots were taken. Shes not even 18 right now shes crazy young for her level of play (like literally should be community banned for lying about being 13 for multiple years during splatoon 2 to get around discord community guidelines but thats a tangent). She said in her apology she was trying to fit in with a real shitty group of people she doesn't associate with anymore and fuck man im probably giving herself way too much grace cause i seeing a terrifying exaggeration of something i went through on a public scale but like people are editing HER face onto memes and talking shit about HER and constantly misgendering her when madness is not only an actual adult but has been ACTUALLY DOING THIS SHIT RECENTLY. im not saying the shit she was saying wasnt heinous but fuck man this isnt gonna help her and i dont want the dumass bullshit she said when she was a middle schooler to ruin the rest of her life. sorry for the white girl mental illness blast but there is important context in this ranty anxiety and projection goop

anon asked for a tldr for the situation w/ jackpot as a whole, which included leafi's part in the situation. as the post was about how jackpot as a team has made racist statements. i chose screenshots that put my point clearly, which just so happened to be screenshots with madness and leafi. i'll go more into it here, though

i did not mean to compare her to madness when including screenshots of her old statements. i was compiling the most blatant screenshots from the thread i had originally linked in a prior post. i was going to include other things, but didnt have the time to compile them and was beginning to get stressed about being the source of this info on tumblr.

i was also going to include this video of her saying racist statements in 2024, but i didnt want to include a twitter link for an anon that couldnt access twitter. im realizing i shouldve done so

i do feel bad for her getting involved with a group of people THAT bad if she was truly that ignorant when she was younger, but thats where my sympathy ends. she still acted racist and still associated with clearly racist people even when she was older and more mature. ive learned since making that post that she was born in 2007. 16 is still an age where you should be mature enough to understand that those comments are racist, even with america's shitty public education system glossing over racism.

i definitely see why this can look like people dogpiling on a trans woman though, and the people doing memes and editing her into them in general about this situation are disgusting. i had no idea she was trans and that people were misgendering her. anyone making this situation about her being trans are awful and not people i stand by.

but all of that, including her being skilled despite her age, still doesnt forgive or erase her actions. nothing like that does for the other members of jackpot that have also stated racist things. nothing like that does for any other comp splatoon player that has said anything similar. the apology she put out was needed, but from what ive heard from others, it wasnt the best. she is writing another apology, though, so it couldve just been rushed.

no one has to accept her apology, either. as a white person myself, im not one that should even be one to accept her apology. it wasnt an apology for me, and it isnt one for you, either (if you are white as you say but i might be misreading). people should not be painted in a negative light for not accepting her apology even if it were an amazing one.

the way some people are reacting to this situation is not okay, but she still did awful things that she should be held accountable for. the other guilty members of jackpot are not better than her, but theyve all still said fucked up things. none of them have done anything to prove they arent racist, and theres only more evidence coming out that proves that they have been, so its hard to process at the moment.

could things change? yes, of course, but as of right now, leafi has stated racist things as recent as 2024 and put out a poor apology trying to defend herself. people are handling it poorly and trying to make it about her identity and making memes on it when it is not the right thing to do. these racist claims are being put w/ other racist claims made by other jackpot team members so it was included in my tldr post about the entire situation.

i apologize for poor wording in this, im not the best w/ these kinds of posts

[ex-textura]

The way being more on the sex-repulsed side of ace makes me exclude myself so much from the rest of fandom is bumming me out.

I wish I could take part in all the thirst but it just. Makes me. So uncomfortable. And I hate that.

I want to talk! About the blorbo! With people! But every time it gets a little horny I run and hide in my little blanket fort and it's safe in there. But it's lonely too.

[idealism-world]

need y'all to realize tme doesn't mean transmasc. tme doesn't even mean afab (and the idea that tma people are attacking tme people for their agab is extremely transmisogynist) a cis man is tme. a cis woman is tme. transneutral people who are afab, amab, and intersex are mostly likely tme. intersex people can be tme or tma. tme just means Transmisogyny exempt. i'm tme. my parents are tme. You are just making it endlessly harder for tma people to talk about their oppression because you think every time they say tme they're attacking transmascs. maybe if you gave a fuck about tma people you wouldn't nitpick their language. just saying.

edit: i deleted my previous edit because i realized i was being stupid as hell.

[florshedworf]

inside out 2: we have a genuine continuation for our world and story and will have a proper moral by the end

moana 2: uhh. we wanna sail cause its fun

[crunchycrystals]

i think vic and leighanna should kiss and raise her child together

[5eyed]

some recent sprites for "on the flip side" characters (or rather the dimensional doubles of existing characters lol). ive posted characters from this universe a lot over the years, as its my oldest story that i still work on/think about, but ive never really explained who they are! if youd like to explore the setting and characters of "on the flip side" a bit, i made a carrd for it here (its still a wip but im trying to get it all finished within the month! main characters have fully written out bios & backstories, some side characters still just have basic info.) (also this all takes place in a fictional californian city and if you read this and go "wow that is definitely not how things are in california or the us" sorry i dont know shit im french.)

[wavesoutbeingtossed]

I have thoughts about the TTPD speculation/two years/loneliness/sharing feelings through songs train but I'm putting them under a cut because. Yeah.

OK, so I'm giving a warning:

I'm talking about BTTWS, but NOT about the speculation/inspiration behind it. Just about the feelings in it and the Midnights of it all/the idea that sharing the difficult things brings comfort/companionship. So getting that out of the way so we can remove that part of the discourse out of it.

Regardless of whatever the inspiration/event behind BTTWS may be, whether it's about a loved one or personal, I've long felt that its inclusion on Midnights, an album about things that have kept her up at night, is significant in the feelings it portrays.

For instance, we can be fairly certain that Taylor wasn't actually turning in Scooter B. to the FBI and conspiring with his ex-wife to bring him down (or was she?) in Vigilante Shit, just as we can safely guess that she probably did actually pick up that pebble in Wicklow that reminded her of a peaceful time in Sweet Nothing. The line between fiction/reality, personal vs. narrative matters less on Midnights in this case than the feelings she was expressing in the songs, which are very personal and truthful. The revenge fantasy in Vigilante Shit is her working through her anger over having her masters sold and how she's fought hard to have the last laugh over someone who is a sworn enemy. Sweet Nothing is her reflecting on the dichotomy of her (presumed) quiet home life she felt was safe and the noise of the outside world. (Now, we might speculate on why she was ruminating on this, but that's another story.)

So with that preamble out of the way, BTTWS's inclusion in the tracklist I feel is just as important, again regardless of the inspiration behind it or her personal connection to it. Even if it is a song about someone other than herself, including it as the only "not personal/not diaristic" song on an album as ostensibly self-reflective as Midnights would stick out if that were thecase, though obviously it's her album so she can do whatever she wants and could have her own reasons. (Just like she included Ronan on Red and Soon You'll Get Better on Lover about similar themes, it could just be a tribute to a loved one.) But given all the thematic arcs and parallels on Midnights, I do feel like it's there to include a specific set of feelings being processed, even if the origin on the feelings may or may not be her own. (I'm trying to be really sensitive in my word choices here, hope they make sense.)

BTTWS is a song about loss and grief, and specifically the fallout of an event outside of her/the narrator's control. The person in the song has nothing to turn to to deal with their pain: no faith to guide them, no wisdom to tell them everything will be alright. Throughout the song there is a pervasive sense of isolation: everything is over, they're living without something that was once theirs but suddenly was not. It captures the fog and confusion of living through a painful event without having any way to process. She even says from the start that, "no words appear before me in the aftermath," which for someone like Taylor who has stated over and over how writing is literally how she processes her life would be the ultimate reflection of the depths of her hurt.

(To be clear I do not think this is a song about a breakup whatsoever: IMO it clearly is not about a relationship dissolution of any kind. I just think that the feelings of grief and loneliness in the song may have felt relevant to whatever she was going through during the time the album was coalescing in 2021-22.)

Knowing what we know now about at the very least the period between 2021-2023, Taylor was going through a time of significant difficulty in her life behind the scenes, which is how The Tortured Poets Department came to be, right on the heels of her completing Midnights sometime in early 2022. She has said herself that making TTPD was a lifeline, that she had to keep writing to deal with whatever it was that she was experiencing and going through. And as I posted about earlier today, she's also said repeatedly on tour that not only is writing about her feelings how she processes her pain and loneliness, but that then sharing that music with fans brings her great comfort because it makes her feel less lonely to know people understand and relate to what she's going through.

And we know that she has self-edited her albums over the years (including Midnights) to protect herself and perhaps even the subjects of her songs, which we have seen with the inclusion of the vault/bonus tracks in the re-records and on Midnights. Obviously some of these reasons are logistical -- album was too long, cut songs sounded too much like others, maybe she or her producers felt the ones that were originally chosen were stronger, narrative or sonic cohesion, etc. -- but with what we've seen over the last few years, these songs also filled in the lines of the stories being told and reframed the narrative being told.

Nowhere is that clearer than with You're Losing Me, for example. It's pretty obvious why it was held back: presumably she wouldn't want to release a song about a relationship at its breaking point when she was still actively in the relationship. Yet as soon as the relationship ended, she released it, we can only assume because of her realization that sharing the music and having people respond to it validates her feelings and makes her feel embraced, as it were. Then with the announcement of TTPD and how it's been brewing for essentially the intervening period between when YLM was written and now, we can also surmise that these songs will be dealing with feelings she also felt the need to hold back for whatever reason at the time, but has now decided should be out there so she can feel more whole.

So coming back to BTTWS, it being included on Midnights the way that it was strikes me as a form of sharing feelings that may have been too difficult to process. Again, not implying I have any insight into what the origin of the song is about, or imposing my own beliefs onto her, or that she was sending some sort of secret message with its inclusion! But thematically, BTTWS deals with an intense loss and feeling completely unmoored and alone as a result, which is present in her other work. And that the dreams the narrator once held have gone up in smoke, leaving her reeling about what's to come next. She's cut off from the world because of the event, unable to speak about or grasp what has happened. Similar feelings are also explored in You're Losing Me for instance, and even Dear Reader (not to mention on past albums like evermore, this is me trying, arguably hoax, etc.). Just reading context clues from TTPD and her surprise song choices of late, I don't think it's outrageous to presume some of those emotions are going to be present on the new album as well.

So this is just a long-winded way of saying, I feel like the sense of loss, confusion and uncertainty about the future likely resonated with both what she had gone through in the past, and the story as a whole she was trying to tell on Midnights. And while the origin may or may not be personal or relevant to the new story she's going to tell, I also feel like these same kinds of themes are going to be present on TTPD because they're so important for her to share. (I could even mention that the response to BTTWS may even provide evidence that people sharing their experiences in general brings comfort to those going through it, but that may be veering too far into parasocial "why did Taylor do X" speculative territory.) She sings about these kinds of all-consuming losses so eloquently and mindfully that I know the new album is going to be an absolute gut punch.

(not being self-promotional but I delved a little deeper into the Midnights 3am tracks including this one a few months ago so it's why it's top of mind and why the connections and thematic parallels are so resonant to me lately.)

[emblazons]

me when people think I write these long ass analysis posts (and even the parallels / movie inspo gif sets) to convince other people of Byler…but really its just to get my thoughts out in a linear fashion so I can move to the next set of internal Byler-narrative problem solving: